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Renter Revolt

(Director of  Photography)

Kansas City used to be a cheap place to find an apartment till soaring housing prices sent rents up.  Filmmakers Isabel Evans and Marly Cogan paint a thoughtful picture of one working mom fighting to change things.  

Film premiered on Time Magazine.

Corporate FM

(Film-maker, Director of  Photography)

This issue had bothered me ever since the rock station in my home town flipped formats after Rolling Stone voted it in the top 10 in the nation.  I never felt there was a really thoughtful explanation for the flip.  So I made a movie and uncovered something much bigger than I anticipated.

Available on TubiAmazon and at

Lee: Body Optix

(Director of  Photography, Director)

An Instagram BTS of a Lee contour stretch denim line. Art Director: Jace Rauman, Producer: JoCarol Ferrara,  Stylist: Liana Wears, Seamstress: Hadley Clark,  Wardrobe: Taylor Barber, Hair Makeup: Samantha Smith, Grip: Jessie Van Der Vyver.

Dirty Money: "Pay Day"

(Location Sound Recordist)


There was no lighting department on this job, so in addition to location sound, I helped DP Thorsten Thielow achieve some chiaroscuro looking interviews that I'm very proud of. It was also fun to deal with such a sensitive topic.

Directed by Jesse Moss, Edited by David Moyes, EP Alex Gibney.

Hallmark "Squawkin"

(Director of Photography, Codirector)


I wasn't going to put this on my site, but I noticed that people always watch it twice.  It was fun to light the colored background and urge kids to be crazy.  Can you tell I put a mic on the chicken? Written and Codirected by Trevan McGee.  Edited by Andy Miriani. 

Eclipse of the Sun as an auditory experience.


Featured on the front page of I set up mics for this because I knew the birds and insects would react.  Shot in field somewhere near New Haven, Missouri.

Music Video: Redder Moon, Hell is Other People.

(Director of Photography)

Directed and edited by band member Jill McKeever.  It's a collaboration between the band, me and the weather.

Shoebox: "Distractions"

(Director of Photography)


Client wanted 30' Commercial shot in style of  "The Office"


Directed by Chris Dorosey,  Graphics by Paul Horton. Over a million organic views without any paid promotion.

Operation Breakthrough: Fundraiser
(Director of Photography)

Follow the progress of three children through Operation Breakthrough including New York Times writer Aaron Randal. Edited by Lynne Melcher,  Directed by Jennifer Heineman & Lynne Melcher.  

Perfect Union: Worked to Death
(Director of Photography)

The people in this video didn't have time to visit friends and family because their base pay was so low.  This allowed Frito-Lay to not feel any pinch when their works went into overtime.  So they intentionally put them into overtime to avoid paying health benefits to a larger swath of employees. Frito-Lay just ran the few employees they had to death.  

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