© 2019 Kevin McKinney FVS LLC.

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samples

Hallmark "Squawkin"

(Director of Photography, Codirector)

 

I wasn't going to put this on my site, but I noticed that people always watch it twice.  It was fun to light the colored background and urge kids to be crazy.  Can you tell I put a mic on the chicken? Written and Codirected by Trevan McGee.  Edited by Andy Miriani. 

Dirty Money: "Pay Day"

(Location Sound Recordist)

 

There was no lighting department on this job, so in addition to location sound, I helped DP Thorsten Thielow achieve some chiaroscuro looking interviews that I'm very proud of. It was also fun to deal with such a sensitive topic.

Directed by Jesse Moss, EP by Alex Gibney.

Corporate FM

(Film-maker)

This issue had bothered me ever since the rock station in my home town flipped formats after Rolling Stone voted it in the top 10 in the nation.  I never felt there was a really thoughtful explanation for the flip.  So I made a movie and uncovered something much bigger than I anticipated.

 Available on Amazon and at fmfilm.com.

Ashley, The More the Merrier

(Director of  Photography)

Ashley prepares dinner with her new family in this nonfictional hallmark series. Hand held camera, augmented daylight and a sincere subject are the trifecta of realism in this one.

The Total Eclipse of the Sun: Sights and Sounds from a small farm in Missouri.

(Film-maker)

Featured on the front page of VIMBY.com. The experience on location was surprisingly spiritual and...cosmic. How often do we get to say that?  People tell me most that they like the sounds.  Shot in New Haven, Missouri.

Traci Lynn Martin's Attempt at the World Record.

(Location Sound Recordist)

Traci Lynn Martin is circumnavigating all the great lakes in a surfski kayak to show others with Rheumatoid Arthritis what's possible. The editors took my interview sound and mixed it my location sound from the shore to give this a more an intimate feeling. Directed by Nasreen Alkhateeb

Shoebox: "Distractions"

(Director of Photography)

 

Client wanted 30' Commercial shot in style of  "The Office"

 

Directed by Chris Dorosey,  Graphics by Paul Horton. Over a million organic views.